(June 12, 2023) Damyanti’s school life involved an emphasis on the sciences. Only the losers took arts — she was told. Through it all, fiction kept her sane, or so she felt. So much so that she would hide novels behind Chemistry and Physics tomes. Books were her only escape and refuge. She read through all of the books in her father’s collection which ranged from Chekov to Flaubert to Borges to Walt Whitman and Shakespeare. She was a bookworm then, and stayed one down the years.
“As a child I learned to tell stories before I could read. My parents or grandma would pick up a comic book and tell me the storyline, and then I could repeat it back to them verbatim—without understanding a word of the writing,” smiles author Damyanti Biswas, in an exclusive with Global Indian. The Singapore-based author’s new book The Blue Bar, which was recently released in the US, opened at No.2 spot in the bestsellers list above Scottish crime writer Ian Rankin, which is a huge achievement for an Indian writer.
The Blue Bar
Damyanti started writing her US debut, The Blue Bar, at a workshop run by the Booker-shortlisted Romesh Gunesekera in 2018, who taught her many techniques over an intense week. The Sri Lanka born British author’s writing prompt was to depict a character who’s being watched but isn’t aware of it. “My response turned into the first chapter of The Blue Bar: Tara being watched, while posing in a tiny silver blouse and a blue-sequinned saree, by someone at a crowded Mumbai railway station,” says Damyanti, who then let her curiosity lead her into the story.
“Who was watching her? Why? Who were the people in her life? What was her story? And that led to an entire novel,” informs the author whose Indian debut was called You Beneath Your Skin. Based in New Delhi, it was about serial killings of women, their bodies defiled, burned with acid, and left in trash bags. For The Blue Bar, she did a spurt of research in Mumbai. Damyanti visited police stations, Bollywood sets, interviewed police officers and Bollywood directors, walked the streets and the slums. Her book delves into a realistic world of Bollywood, dance bars and policemen.
“As an Indian writer, to have a commercial crime novel top the charts was a unique experience,” shares the author. The Blue Bar will be released in India later this year or early 2024. She says the best feedback has been from Mumbaikars who found the book very well researched, and from Westerners who thought the book transported them into the alleyways of the city. “I write dark crime novels, so during audience interactions, I’m often surprised by questions from teens who have clearly read my work. They have very insightful viewpoints,” feels Damyanti, who says her books end up challenging patriarchy.
A bookworm’s journey to becoming a writer
Born in Bhilai (back then it was in Madhya Pradesh and now Chattisgarh), which she describes as a small dustbowl town, Damyanti went to Lady Brabourne college in Kolkata where she studied English Literature with Honours. “I was a regular at the British Council and the American Library in Kolkata, and often scored higher in my papers on comparative international literature than all others,” she recalls. Reading remained the highlight of her college years.
Damyanti never thought of herself as a writer. “That happened after I was married and in Malaysia, without a job. My husband encouraged me to write and bought me a second-hand laptop with the keys I and Y missing,” she quips. She wrote numerous short stories and her work has been published in Smokelong Quarterly, Ambit, Pembroke Review, Griffith Review among many other magazines in the US, UK and Australia.
Life in Singapore
Damyanti says life in Singapore is as safe and curated as it can be in a tiny island nation with some of the strictest laws in the world. “After living for years in Delhi, it was a very different experience, especially to feel safe as a woman at all hours of the day and night in all parts of this city-state,” says the novelist. In the nearly two decades that she has been away, Damyanti visited India more than once a year. “I plan to travel back more as the years go by,” says the author, who also serves as one of the editors of The Forge literary magazine.
She likes to describe herself as an omnivore when it comes to books. “On a given day I might read poems by Mary Oliver, flash fiction by Lydia Davis or Amy Hempel, short stories by George Saunders or Jhumpa Lahiri, noir by Fuminori Nakamura or S A Cosby, Scandinavian crime by Jo Nesbø or ÅsaLarsson, a Yanagihara or an Atwood novel, romance by Emily Henry or Helen Hoang.”
Damyanti says she recently went on a fantasy reading spree. “I read essays and memoirs. My favorites keep changing, and I can be very excited about one author one day, and another the next,” says the author who has been short-listed for Best Small Fictions and Bath Novel awards. She is already working on the sequel to The Blue Bar. “It is called The Blue Monsoon, which will be released in October this year,” informs Damyanti, who also has a women’s fiction on submission to editors which is about a harrowing mother and daughter relationship. “I am already outlining another crime novel,” she informs.
She may be living in Singapore but Damyanti is connected to India in many more ways. She is a supporter of the project WHY, a program that provides quality education to underprivileged children in New Delhi. While Damyanti’s ambition has always been to live in a home with more books than any other items, she likes to indulge in gardening, binge watch shows. “On any given day, I try and write for the first hour after waking up after which I do Yoga, followed by household chores. On most days, the writing part swallows up everything else,” smiles the author.
(September 15, 2021) As a child, Shreyas Ayaluri would spend hours scribbling just about anything on pieces of paper. It made no sense to anyone but him. From doodles, shower thoughts, ideas, catch phrases or just to-do-lists – he would be at it for most part of the day. Once, his teacher suggested he carry a miniature note-pad to capture all his haphazard thoughts and be more efficient with his scribbling. He followed the advice religiously. Now, at 27, he continues to scribble, creates magic out of it and is unstoppable. His flair for writing has led this US-based Global Indian to become an acclaimed screenwriter. His work has been featured at some of the best screenwriting festivals in the world while he makes strides in Hollywood with his latest screenplay Elvis Escobar and Juniper Lea which is all set to grace the silver screen in 2021. That is not all: The latest feather in his cap is writing a song for Broadway which has him on cloud nine. [caption id="attachment_10390" align="aligncenter" width="512"] Shreyas Ayaluri with Quentin Tarantino[/caption] An uphill climb "While all this is magical, I would be lying if I told you that the path was all sunshine and rainbows. I cannot fathom that I wrote a song for Broadway," says a beaming Shreyas,
That is not all: The latest feather in his cap is writing a song for Broadway which has him on cloud nine.
[caption id="attachment_10390" align="aligncenter" width="512"] Shreyas Ayaluri with Quentin Tarantino[/caption]
An uphill climb
"While all this is magical, I would be lying if I told you that the path was all sunshine and rainbows. I cannot fathom that I wrote a song for Broadway," says a beaming Shreyas, speaking exclusively to Global Indian. Based out of Los Angeles, the youngster from Hyderabad likes to call himself a creative addict. His journey from being a scribbler to a screenwriter is as fascinating as it can get. Only, that screenwriting was never on his mind in his early days.
"After pursuing engineering, I gave advertising a shot. I worked as a copywriter for two years, trying to quench my creative thirst. It was my stint at the advertising firm that bridged the gap between science and arts," informs Shreyas, whose life took a 180 degree turn when he saw his first piece of work splashed across a huge billboard while walking home one day. "It moved me. All those feelings, emotions that I didn’t know existed in me, gushed through my body and I just knew it," recalls Shreyas, whose work has been featured and placed at the best screenwriting festivals including the likes of The Austin Film Festival, ScreenCraft, The Script Lab, StoryPros Awards and Film Empire.
[caption id="attachment_10391" align="aligncenter" width="510"] Shreyas Ayaluri with Jeff Goldblum[/caption]
While his stint in the ad agency where he wrote ads for major F&B brands changed his perception of telling tales and selling stories, which he refers to as the first step into the hero's journey, the determined youngster leapt at an opportunity to study screenwriting and film in the US.
It’s all in the family
Growing up in a traditional South Indian family, expectations were set and choices were made for Shreyas, whose father AK Srinivas was in the Indian Air Force. The options before him were straight forward, either join the Armed Forces or pursue engineering. "Luckily, my parents got my enthusiasm and my flair. They pushed me to explore further," informs the award-winning screenwriter, who first studied screenwriting at New York Film Academy and later at University of California.
Shreyas has written four feature length screenplays, two pilots and has multiple shorts to his credit. His very first screenplay Amuse Me fetched him an award for best screenplay and is still going strong at film festivals. The screenwriter says he loves to write custom comedies with a heart, soul and a mind of its own. His latest feature is called Elvis Escobar and Juniper Lea which is a romantic comedy. "The song I am writing for Broadway is still in production," informs Shreyas, who grew up listening to ABBA and watching movies like Top Gun over and over again. Shreyas, who has been in the US since 2018, also worked briefly with General Motors as a quality auditor.
[caption id="attachment_10392" align="aligncenter" width="621"] Shreyas with a friend[/caption]
Rooted in India
But like all successful people, Shreyas' journey came with a lot of ups and downs. "There were times when things got rough, financially, especially during the pandemic, as being an artiste is not a 9-to-5 job and one might work on a project for months without a paycheck. But one has to do what it takes to stay in the game and that’s what I did. Moonlighting and juggling different roles and working for less, it only brought me closer to my dream and made me realize that if you crave art that bad, you just have to be at it like a creative addict," says Shreyas, who did his schooling from Kennedy High and thereafter got admission in Page Academy in Hyderabad.
While at boarding school, Shreyas recalls how he would write letters to his mother Sridevi Ayaluri, telling her how much he disliked being there. "I didn’t hold back; I went on and on about how things could be different if I were back home. But what my mother remembers is how creatively I would tell that story through the letter," says Shreyas, who was the second rounder at the Austin Film festival of both 2019 and 2020 besides receiving several accolades for his work internationally.
So, what advice does Shreyas have for anyone starting off on a journey? "If anyone out there is still contemplating to take that first plunge, I say do it. It’s going to be difficult, scary and most likely you will fall. Pick yourself up, do it again and fall again. Falling may not be fun, but it’s just part of the process. I fall all the time but only I’ve learnt to bounce back quicker,” he says. Shreyas believes that every song has a story to tell and every story is a song, if understood well. "Be it stating facts or dreaming up a fiction, I try to put the right words to go with," he says adding that the one thing that helps ride the tide is his writing.
(November 24, 2024) In 1981, with $250 in seed capital, Nandan Nilekani joined six others around a borrowed table to launch a company. Over the years, Infosys became India’s first globally recognized IT giant, symbolizing the country’s emergence as a global technology leader. For Nilekani, however, Infosys was just the beginning. From leading Aadhaar, the world’s largest biometric identity program, to driving digital initiatives like UPI and India Stack, the Global Indian has been instrumental in transforming India’s infrastructure. His work spans education, through EkStep; artificial intelligence, with Adbhut India; to addressing systemic challenges in water, urban governance, and inclusion. Nandan and Rohini Nilekani are also among India’s top philanthropists, and have pledged half their wealth to the Giving Pledge. Recently, Nilekani was featured in TIME’s 100 Top Voices in AI 2024. Infosys: Making India a global IT leader Founded in 1981, Infosys came into being at a time when the idea of a globally competitive Indian technology company was almost unimaginable. Co-founded by Nandan Nilekani, N.R. Narayana Murthy, and five others, the company began in a small Pune apartment with just $250 in seed funding. The challenges of launching a software services firm in India’s tightly regulated economy were
dea of a globally competitive Indian technology company was almost unimaginable. Co-founded by Nandan Nilekani, N.R. Narayana Murthy, and five others, the company began in a small Pune apartment with just $250 in seed funding. The challenges of launching a software services firm in India’s tightly regulated economy were immense, requiring innovation, persistence, and a long-term vision.
In those early years, Nilekani’s ability to build relationships was critical. He secured Infosys’ first significant international contract with Data Basics Corporation in the United States in 1983, a deal that marked the company’s entry into the global market. “That deal wasn’t just a win for Infosys—it was proof that Indian companies could deliver world-class solutions,” Nilekani later said.
Infosys set itself apart with its emphasis on ethics and transparency. The company introduced employee stock ownership plans, fostering loyalty and aligning employee interests with its success. In an era when corporate governance in India was opaque, Infosys became a model for accountability and professionalism.
The company’s transformative moment came in 1999 when it became the first Indian firm to list on NASDAQ. This event brought global recognition to Infosys and marked India’s arrival on the international technology stage. “NASDAQ wasn’t just about raising capital,” Nilekani remarked. “It was about demonstrating that Indian companies could thrive on the global stage.”
[caption id="attachment_60565" align="aligncenter" width="722"] The co-founders of Infosys[/caption]
Nilekani became Infosys’ CEO in 2002, leading the company through a period of rapid expansion. Under his leadership, Infosys’ revenues grew from $500 million to $3 billion by 2007, and its workforce expanded to over 70,000. Nilekani emphasized scalability and adaptability, ensuring that Infosys could navigate the rapidly evolving global technology landscape.
In 2009, Nilekani left Infosys to take on a new challenge: Aadhaar. However, his association with the company didn’t end there. In 2017, during a leadership crisis, he returned as non-executive chairman, stabilizing the company and reaffirming its founding principles.
Aadhaar: Redefining Governance at Scale
In 2009, Nilekani was appointed chairman of the Unique Identification Authority of India (UIDAI), tasked with creating Aadhaar, a biometric identity system designed to provide every Indian with a unique ID. At the time, millions of Indians lacked formal identity documents, barring them from accessing essential services such as banking, healthcare, and welfare programs. Aadhaar aimed to bridge this gap by using cutting-edge biometric technology.
Aadhaar combined fingerprints, iris scans, and demographic data to assign a unique 12-digit number to each individual. Nilekani envisioned Aadhaar as more than just an identification system. “It was about creating an infrastructure for inclusion and empowerment,” he explained.
The scale of Aadhaar was unprecedented. Enrolling over 1.4 billion people, Aadhaar became the largest biometric database in the world. It transformed how government programs were delivered, enabling direct benefit transfers that eliminated middlemen and reduced corruption. For instance, Aadhaar saved the government an estimated $12 billion by identifying and removing duplicate or fraudulent beneficiaries.
Beyond welfare delivery, Aadhaar became the backbone of India’s digital economy. It enabled initiatives like the Unified Payments Interface (UPI), which revolutionized digital payments and brought millions into the formal economy. Nilekani described Aadhaar as a “digital highway” that supported innovation across sectors.
However, Aadhaar was not without criticism. Privacy advocates raised concerns about the potential misuse of data, while logistical challenges occasionally excluded beneficiaries from welfare schemes. In 2018, the Supreme Court of India upheld Aadhaar’s constitutionality but imposed limits on its mandatory use. Nilekani acknowledged these issues, emphasizing the need for continuous improvement. “No system of this scale is without challenges,” he said, “but Aadhaar has fundamentally changed how India delivers services.”
Nandan Nilekani’s work has extended far beyond Infosys and Aadhaar. Over the years, he has founded, supported, and advised numerous initiatives that address systemic challenges across education, technology, finance, and governance. Each venture reflects Nilekani’s unwavering focus on using technology and innovation as tools to empower individuals and drive societal change.
EkStep: Transforming Education
In 2015, Nandan and his wife Rohini Nilekani co-founded EkStep, a nonprofit platform aimed at tackling India’s persistent learning crisis. The initiative was driven by alarming statistics: over 250 million children in India lacked basic literacy and numeracy skills. EkStep employs digital learning tools to create personalized educational experiences, focusing on foundational skills in reading, writing, and mathematics.
It’s an ambitious but scalable mission: to create a universal learning platform that educators, parents, and children can access freely. Supported by $10 million in seed funding from the Nilekanis, the platform uses open-source technology to provide content and tools in multiple Indian languages. Its reach has steadily expanded, impacting millions of learners across India.
“We wanted to create something that addressed education gaps at scale, using technology as an enabler,” Nilekani explained. “EkStep isn’t just about tools—it’s about creating access for every child, regardless of their circumstances.”
India Stack: Building Digital Public Infrastructure
Another groundbreaking initiative spearheaded by Nilekani is India Stack, a set of open APIs designed to provide a unified platform for identity verification, financial transactions, and data sharing. By integrating components such as Aadhaar, UPI, and DigiLocker, India Stack has enabled a seamless digital experience for citizens and businesses alike.
India Stack is now regarded as a model for digital public infrastructure worldwide, demonstrating how governments can leverage technology to drive inclusion. For instance, DigiLocker allows citizens to securely store and share official documents, reducing bureaucratic hurdles and increasing efficiency. “India Stack represents the idea of building infrastructure that enables innovation for everyone,” Nilekani said.
Unified Payments Interface (UPI): Revolutionizing Digital Transactions
Nilekani’s role in creating the Unified Payments Interface (UPI) has been transformative for India’s financial ecosystem. UPI, developed under the National Payments Corporation of India (NPCI), allows instant real-time payments between bank accounts via smartphones. By making digital transactions simple, secure, and accessible, UPI has brought millions of unbanked Indians into the formal financial system.
As of 2022, UPI had processed over $1 trillion in annual transactions, cementing its place as a cornerstone of India’s digital economy. Nilekani, who served as an advisor to NPCI during UPI’s development, believes its success stems from its inclusive design. “UPI has leveled the playing field for small businesses and individuals alike,” he noted. “It’s a prime example of how technology can democratize access.”
Adbhut India: Harnessing AI for Public Good
In 2024, Nandan Nilekani launched Adbhut India, an ambitious initiative to develop artificial intelligence (AI) solutions tailored to India’s unique challenges. Recognizing the potential of AI to address systemic issues, Nilekani emphasized the importance of creating inclusive and ethical AI systems.
One of Adbhut India’s primary objectives is building datasets in Indic languages, enabling AI applications to cater to India’s diverse linguistic landscape. Additionally, the initiative explores AI’s role in education, healthcare, and agriculture, aiming to close gaps in access and efficiency. “AI must be designed to empower—not exclude,” Nilekani said.
Supporting Startups and Entrepreneurs
Nandan Nilekani has also become a prominent supporter of India’s startup ecosystem, investing in and advising numerous ventures that align with his vision for inclusive innovation. He has backed companies across sectors such as fintech, healthcare, and education, offering mentorship and strategic guidance to entrepreneurs tackling India’s unique challenges.
For example, Nilekani is a key investor in the digital lending platform Avanti Finance, which provides affordable financial services to underserved communities. Through such investments, he has championed the idea of leveraging technology to drive financial inclusion.
The Social Security Mission
As part of his commitment to social infrastructure, Nandan Nilekani has also worked on developing a framework for India’s social security architecture. In collaboration with various policymakers and organizations, he has contributed to initiatives aimed at providing pension coverage and financial security for informal sector workers.
Data Empowerment and Protection
Nilekani’s efforts in advancing data empowerment have been equally significant. He is a vocal advocate for creating systems where individuals retain control over their data, enabling them to leverage it for personal and financial growth. His work in this area has informed India’s Data Empowerment and Protection Architecture (DEPA), which seeks to balance innovation with privacy.
“We live in a world where data is power,” Nilekani said. “The challenge is to ensure that this power rests with individuals, not corporations or governments.”
Giving Back: A Lifelong Commitment
Philanthropy has been central to Nilekani’s journey. In 2017, he and his wife Rohini joined The Giving Pledge, committing to donate at least half their wealth to social causes. Their initiatives span education, urban governance, water conservation, and climate resilience.
The couple’s approach to philanthropy reflects a blend of grassroots support and systemic reform. While Rohini focuses on advocacy, Nilekani concentrates on leveraging technology to solve complex problems.
“Philanthropy is about building platforms that endure,” Nilekani said. “It’s about solving problems at scale, not just addressing symptoms.”
Awards and Recognition
Nilekani’s contributions have earned him widespread recognition. He was named among TIME magazine’s 100 Most Influential People in the World in 2006 and among the 100 Most Influential People in AI in 2024. In 2017, he received the Economic Times Lifetime Achievement Award for his transformative impact on India’s economy and society.
His influence extends beyond accolades. Nilekani’s work has fundamentally reshaped India’s technological and economic landscape, empowering millions and setting global benchmarks for innovation.
Meet Vivek Narain, Founder and CEO of The Quorum, a members-only lifestyle club in India, which promotes culture while building a community of people with shared interests. The workspace as we know it, is rapidly changing globally. From shared co-working spaces to working from home to sitting in a coffee shop with free wi-fi, the office has been reinvented. Capitalising on this paradigm are private clubs, bridging the gap between five-star luxury and the amenities of an office. Along with a forum to network, and have conversations about art, music, life and other topics of interest. The suave Vivek Narain, who holds a finance and economics degree from the American University, Kogod School of Business, Washington D.C, combined his past experience in hospitality and an extensive understanding of real estate, to design and create The Quorum, a members-only club that doubles up as a space where business and leisure complement each other effortlessly. [caption id="attachment_51095" align="aligncenter" width="453"] Vivek Narain, founder, The Quorum[/caption] Breaking the 9 to 5 office mould In an exclusive with Global Indian, on a day’s visit to the just-launched 110,000 square feet of space that is The Quorum in Hyderabad, he shares details about his idea. He
In an exclusive with Global Indian, on a day’s visit to the just-launched 110,000 square feet of space that is The Quorum in Hyderabad, he shares details about his idea. He reveals how the club is more than just a place to work or relax after a guided tour. “We had set up The Quorum in Mumbai and Gurgaon and it took us two years to get the Hyderabad venue up and running. The place has everything you could need — to work, entertain, relax, hold an event, or even have a meeting, without the pretentiousness of a five-star property.”
The Quorum’s facilities geared towards wellness include two internationally certified padel courts, a pilates studio, a room for yoga, a pool, and a gym. There is also a restaurant, a members’ lounge and bar, and smaller, private rooms to hold a book club reading and conduct meetings or events. Kids are allowed only on Sundays.
Vivek is passionate about inviting speakers on a range of subjects, and the club’s activities across cities include hosting fashion pop-ups, and using the space on the walls as a gallery to promote art. The newly-launched Hyderabad club had its first show in collaboration with Srishti Art Gallery and their in-house curator ensures art gets its due importance across all three properties. He adds, “Every month we will be collaborating with different galleries and artists because I believe art is and should be an important conversation to have.”
According to an article in Forbes magazine, ‘The fastest-growing workplace isn’t home or the office, but some third place — a coffee shop, hotel lobby or, increasingly, private clubs.’ And, focussing on this trend, within five years, The Quorum has helped bridge the gap for people who are frequent travellers and are aware of trends and luxury experiences they might wish to replicate in India.
More than a club membership
The membership profile for The Quorum, according to Vivek is, “Men and women who are global Indians — upwardly mobile, have a larger goal of wanting to make an impact, and are curious about other ideas and have multiple interests. People who want to push boundaries on conversations on varied topics from geopolitics to AI; who have an interest in listening to opera or watching a Bharatnatyam performance.”
Vivek and his team showcase talents across fields; and with the club’s credibility now firmly in place, people approach them to host events — whether it is to talk about ideas or deliver high-quality content. Just the April calendar for the Gurgaon venue included events like an art soiree, a live jazz performance by Tanya Nambiar, a meditation session every Friday morning, a talk on women in business hosted by a woman member, and a conversation on sustainable fashion with designers like Nikhil Mehra, Gaurav Gupta with Anju Bhandari. Another talk with the lawyer Indira Jaising, and a whisky-tasting session along with readings from a classic by Naseeruddin Shah were on the agenda too. The Hyderabad one for its part hosted an opera night, a live sitar recital, a qawwali and a ghazal night, a conversation with the previous Governor of the RBI, D Subbarao, and a live performance by Mama Tips and The Goa Crew to name a few.
Vivek admits that some events are crowd pullers and some conversations have barely a handful in the audience, but it doesn’t deter him from pursuing this paradigm of offering something more than a club.
Keeping in mind the high-profile members, many of whom are HNIs, the club is tastefully done up. From the comfortable seating to the wall-papered library which even has a secret door that leads to a private room; an installation hanging from the ceiling, echoing the movement of birds during a murmuration, by Delhi-based origami artist Ankon Mitra to the spacious dining area, the pool etc., everything spells luxury sans the snob element. The staff is friendly and the entire space is meant to make you relax. When asked how The Quorum is different from the regular clubs, Vivek reiterates, “Those clubs are not always focussed on giving you the best quality. Even as we push the boundaries on various subjects, our kitchens promise you an excellent culinary experience too with global cuisine on the menu.”
All these facilities come at a price. The standard joining fee is a one-time, non-refundable deposit of Rs five lakhs, and an annual fee of Rs one-and-a-half lakhs. What you spend on food and drinks is extra. The fee gives you access to this space and its facilities, two of The Quorum’s other clubs in Gurgaon and Mumbai, and 75+ clubs across 28 countries it has associated with. Though there are other membership tiers — for entrepreneurs, women, and those who fit the profile and are under 30 — the one-time fee has been waived off.
Offices of tomorrow
Vivek, who has in the past worked with leading hospitality brands, has also set up his second flagship brand called district150. Elaborating on the brand’s name and idea, he says, “According to Robin Dunbar, an anthropologist from Oxford University, 150 is the total number of stable, meaningful relationships a person can have in their life. That is why cavalries have only 150 members, and a human being can remember a maximum of 1500 faces and 500 names. With this narrative in mind, I set up district150 which is a meetings and events venue driven by hospitality and is a space built with the future of work and lifestyle in mind. It’s an amenity for the office building of tomorrow which can add significant value as a venue for corporate meetings and events during business hours and as a social venue after working hours.” It is a cross between an office and a hotel and you can host meetings and events here; there is also a progressive Indian casual dining restaurant called Zila. The brand has partnered with Subko, for their artisanal coffee and chocolate experience.
In the past, Vivek has headed development for Fairmont Raffles Hotels International and was responsible for the group’s growth and expansion efforts across South Asia. He has been a board member of SUJAN Rajmahal Palace and was instrumental in repositioning this marquee boutique heritage-palace hotel, part of the prestigious Relais & Chateaux collection, as one of the top luxury hotels in the world. He is a founding member and events and programming Chair of ULI (Urban Land Institute), India. He is currently also involved with Changemakers of Gurgaon at Scale, an organisation working towards making Gurgaon a more vibrant and sustainable city that figures among the top 50 cities of the world.
With his larger goal of making an impact while remaining a profitable business, Vivek plans to expand to other cities like Delhi, Bengaluru and Goa. This, despite fighting the constant challenge he faces as a first-time entrepreneur – that of attracting and retaining the right talent. Still, he stays committed to his goal of establishing a brand with high credibility that slowly brings change into the way we conduct business or hold conversations.
(July 18, 2022) Stretched over 800 km, El Camino, the ancient pilgrim route in northern Spain is on the bucket list of every hiker. And it was no different for Sara Adhikari, the head of content at GiveIndia - the country’s largest online giving platform. So, when her sister, Louise suggested it, she jumped on the idea. However, the 64-year-old didn’t want it to be a walk of just self-discovery and bonding with her sister. She wanted to walk for a cause close to her heart. Deciding to raise awareness and funds for acid attack survivors in India, Sara, and her 62-year-old sister, recently finished their 800-km walk and were also able to raise over ₹5 lakh, which will go for the rehabilitation of acid attack survivors and help with their long-term medical treatment. [caption id="attachment_26952" align="aligncenter" width="550"] Sara Adhikari[/caption] On Sunday, June 26, Louise and Sara reached Santiago, 40 days after starting the trek. While their friends cheered the ladies as they uploaded wonderful pictures on social media, others generously contributed to the cause. As she connects with Global Indian, Sara remembers the emotions after she reached the finishing line. "I was relieved, elated, overcome, overwhelmed… all rolled into one.
ctures on social media, others generously contributed to the cause. As she connects with Global Indian, Sara remembers the emotions after she reached the finishing line. "I was relieved, elated, overcome, overwhelmed… all rolled into one. And, for the first time, we are proud of ourselves. We were also blessed with sunshine in Santiago, where it rains 300 days a year," the hiker shares.
Preparing for the El Camino trail
The 800-km El Camino de Santiago walk in Spain is one of the most ancient and longest trails in the world. Besides being adventurous and having the will to complete the journey, what was required was a lot of planning. After all, the walk would last for weeks! "I bought a couple of books to know more about the kind of training we should do, including people's accounts about walking the route and of course, a list of what little we could carry in our backpacks," says Sara.
Preparations began months in advance. Sara joined a gym to train on the treadmill as much as possible. "If I wasn't there, I went out walking as many mornings as I could, sometimes with a friend to the lakes. But I never managed to walk more than about seven km. That worried me and Louise too - what if I couldn't manage the 20-25 km we would have to walk every day on the Camino?"
[caption id="attachment_26979" align="aligncenter" width="550"] Sar, with her sister Louise during the El-Camino trek[/caption]
The Bengaluru-based Sara is a former journalist who has worked with various leading publications such as Khaleej Times and Times of India. Her sister, Louise, worked in IT for 37 years and took early retirement about six years ago. Louise lives in Witney, Oxfordshire, with her husband and has taken part in triathlons, done challenges such as the Great Wall of China walk and a fundraiser where she walked 52 miles in 24 hours four years ago. The Camino walk was Louise's idea after she saw the Martin Sheen film called The Way.
Overcoming their fears
After a few weeks of hiking trips in England, Sara and Louise were finally ready in May to start the challenge and headed to Spain. Sara’s two biggest worries before they started on the Camino were the fear of sleeping on the top bunk in hostels/dormitories along the way and how her feet would take in all the walking.
She didn’t have to wait for long to come face to face with her first fear. After the first day of walking, they were in a dormitory. Both of them got top bunks opposite each other. In the middle of the night, Sara had to get down and she slipped on the ladder, fell headlong, and hit the back of her head on the bunk. But it was nothing serious - except for a bump on the back of her head, which meant she couldn’t lie on her back for weeks.
On the second day, Sara had some blisters on her feet. However, with all her friends encouraging them on social media, she continued with her mission. After walking for eight days, Louise insisted Sara go to a health centre in the next town. "I was mostly limping the better part of 10 km. The doctor tested my legs and told me to go to a health centre every day to treat them." So Louise walked the rest of the 10 km on that day on her own and Sara took a taxi to the Albergue, where they stayed the night.
The following day too, Louise, walked the next 20 km while Sara walked to the health centre in Logrono and the doctor bandaged her well so she could start walking again. The hiker did join her sister eventually and they finished the rest of the journey together.
Memories from Camino that will stay
Most hikers describe life on the Camilo trail as 'walk, eat, sleep, repeat' - and each day was different for Sara and Louise. The stories of co-walkers' lives inspired the ladies a lot. "We met a newly married man, who had a chronic condition and suffers debilitating pain in his head which causes seizures. But that didn't stop him from walking 800 km alone. While he needed to visit the hospital a couple of times along the way, he didn't want to be bound by his family's legitimate fears of what could happen. He was greeted by his relieved teary-eyed wife when he walked into Santiago, bursting with pride at his achievement,” Sara shares.
[caption id="attachment_26982" align="aligncenter" width="550"] A picture of the beautiful countryside in the northern Spain that Sara shared on her Instagram[/caption]
The duo also met an American couple in their late 70s who were “walking very fast.” But when they slowed down to chat, Sara learned that the husband has dementia, but still wanted to do the Camino. "The wife never left his side," the hiker says.
Worth the trouble
"It was hardy,” says Sara on the walk, despite all the difficulties they faced. “Doing something for acid attack survivors was on the top of my mind,” she says. GiveIndia had launched a fundraiser for Chhanv Foundation to raise funds for acid attack survivors.
The hiker shares that researching and reading about incidents of cruelty that physically and mentally scarred women for life had deeply disturbed her a lot. “I wanted to create awareness for these survivors, who usually keep a low profile as they find it difficult to face the society that shuns them,” she says.
[caption id="attachment_26983" align="aligncenter" width="550"] Sara and Louise after finishing the El Camino[/caption]
Thanks to the generosity of friends, family, colleagues, acquaintances, and others, Sara’s fundraiser for acid attack survivors has reached the target of Rs 5 lakh and people are donating even now. You too can donate to the cause here.
(April 26, 2022) One of her earliest memories of music is listening to her now 92-year-old grandmother singing as she was fed. Today, the award-winning 35-year-old Carnatic singer, Sushma Soma, enthuses about how music was always her passion. Kicking off her journey as a singer at just four, the Singapore-based artist has under her belt an impressive repertoire of performances at several prestigious venues – such as the Indian Embassy Brussels, the Bhavan London, and the Madras Music Academy in Chennai. In 2021, Soma collaborated with Bharatanatyam exponent Mythili Prakash at the Reflektor Festival, Hamburg curated by Anoushka Shankar as vocalist and co-composers. “My most precious childhood memories were listening to Tamil songs on my grandfather’s transistor radio, and waking up to the sound of MS Subbulakshmi’s morning prayers. My grandmother would sing, in fact she still sings so sweetly. I started training at a young age, all this shaped my path,” shares Sushma during an interview with Global Indian. [caption id="attachment_39147" align="aligncenter" width="645"] Sushma with her gramdmother[/caption] Her recently released second album, Home, incorporates environmental issues and raises awareness about sustainability through her music. Sushma created the album along with Aditya Prakash. “Home combines my Carnatic sensibilities, and my
Her recently released second album, Home, incorporates environmental issues and raises awareness about sustainability through her music. Sushma created the album along with Aditya Prakash. “Home combines my Carnatic sensibilities, and my passion for the natural world. The starting point was a series of incidents that left me feeling gutted; from the pregnant elephant in India who tragically died when she fed on a pineapple stuffed with explosives, to the loss of indigenous plants and wildlife in the Amazon forest fires. This album is special as it stems from so many things I care about - forests and wildlife,” shares the Carnatic singer, who has won several awards in her career, including the Young Artist Award by the National Arts Council Singapore, 2020.
Her archival work with the National Archives of Singapore was also given a special mention at the Singapore Parliament in March 2019.
The Land of Lion
A Tamilian from Chennai, Sushma was hardly 41 days old, when her parents shifted to Singapore (1980s). Growing up, she felt like a minority in Singapore. “Back in the day, Indian expats were not a common sight in Singapore. I grew up around kids who would talk in Chinese or English. While I knew the language, I was deeply connected to Tamil, which we spoke at home. That’s why I loved visiting my cousins in Chennai on vacation,” shares the Carnatic singer.
At four, Sushma started learning the basics of Carnatic music from a teacher who lived right across the street. Being around her teacher, Sushma shares, made her fall in love with music. “She used to perform at temples and would take me along. So, I have been performing on stage since four. During many events, my parents would come back stage to take me home. But I would stay back, because I just loved being around my teacher,” Sushma reminisces.
https://www.youtube.com/watch?v=caa9qcrddXE
A diploma in Carnatic vocals at Singapore Indian Fine Arts Society (SIFA) in 1993, although she loved to perform, she continued to pursue a traditional career. A mathematics lover, she was obsessed with books growing up. The artiste attained a degree in accountancy from Nanyang Technological University, and a job at one of the Big Four accounting firms. However, it was not long before she realised that her heart was not in her work and she felt a “growing obsession” for music.
When she said as much to her father, a chartered accountant, he was shocked. “He freaked out that his daughter was leaving a set career for music. However, he never stopped supporting me,” says the Carnatic singer.
A musical journey...
Not long after leaving her job Sushma shifted to Chennai in 2009, where she lived with her uncle and grandmother. She started training under well-known artiste Lalita Sivakumar, an experience she defines as “a blessing.” Over the course of the next decade, back in Singapore, Sushma performed solo and in collaborations across the world - London, Luxembourg, Brussels, San Diego, Los Angeles, Kuala Lumpur, and Singapore just to name a few.
[caption id="attachment_23468" align="aligncenter" width="5081"] Sushma during 2017 Wandering Artist concert[/caption]
"I constantly find myself seeking that one moment during my performances, where it is just me and my music. These moments are fleeting, and rare, but I keep chasing them. For the past five years, I have been trying to express my emotions through music, and that is very liberating and empowering,” shares Sushma, who is currently student of RK Shriram Kumar, a leading Carnatic musician and musicologist.
Actively engaged in the arts as a researcher, educator and writer, Sushma shares that she always reads up about the theme of her songs. “I think that is something that my husband instilled in me - to research about anything before making a song about it,” she laughs sharing, “My husband, Srinivas, is one of the first I share my songs with, and only when he likes it, I finalise it.” Sushma’s husband is an IT professional, working in Singapore.
[caption id="attachment_23465" align="aligncenter" width="638"] Sushma with her co-creator and best friend, Aditya Prakash[/caption]
Busy with rehearsals and events, Sushma shares that she enjoys long walks which are “like meditation. But, of late I have started listening to podcasts on human behaviour to understand our psychology,” shares the Carnatic singer, who loves to bake.